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Pirelli HangarBicocca unveils 2026 & 2027 Exhibition Programme

Over the next two years, Pirelli HangarBicocca will present a series of eight new exhibitions bringing artists, works, and architecture into dialogue. A shared experience that invites the public to discover the museum as a living organism, open and responsive while advancing its long-term mission to make art and culture more accessible.

Pirelli HangarBicocca Photo © Mark Westall

Exhibitions in 2026 will spotlight Benni Bosetto, Rirkrit Tiravanija, Aki Sasamoto, and Luciano Fabro, with 2027 featuring Carlos Bunga, Janet Cardiff & George Bures Miller, Hicham Berrada, and Cecilia Vicuña.

The 2026–2027 calendar was developed by the curatorial department led by Vicente Todolí, Pirelli HangarBicocca’s Artistic Director since 2012 and former director of the Tate Modern in London, the Museu de Arte Contemporânea de Serralves in Porto, and the IVAM in Valencia.

In 2026:

Benni Bosetto from 12th February 2026 (Shed)

Benni BosettoPortrait of the artistPhoto Alberto Nidola
Benni Bosetto Portrait of the artist Photo Alberto Nidola

For her first major institutional solo exhibition, Bosetto will transform the Shed into a domestic environment, a living organism, where rooms, walls, and surfaces come to life, giving to the space a distinctly human dimension.

Benni Bosetto Jewels, 2019 Installation view, “Fallen empire and refound desire,” Asiat Vilvoorde, Belgium, 2019 Courtesy the artist and Emanuela Campoli, Paris/Milan Photo Jeroen Verrecht

Rirkrit Tiravanija from 26th March 2026 (Navate)

Rirkrit Tiravanija Portrait of the artist Courtesy the artist and Galerie Chantal Crousel, Paris Photo Pauline Assathiany

Major retrospective centering on Tiravanija’s long-standing investigation into architectural practice. Alongside a selection of historical works, the exhibition will create spaces for gathering and sharing real-life experiences, with works drawing inspiration from visionary figures such as Rudolf Michael Schindler, Frederick Kiesler, Le Corbusier, Philip Johnson, Jean Prouvé and Sigur Lewerentz.

Rirkrit Tiravanija untitled 2006 (palm pavilion), 2006- 08 Installation view, kurimanzutto, Mexico City, 2008 Courtesy the artist and kurimanzutto

Aki Sasamoto from 17th September 2026 (Shed)

Aki Sasamoto Portrait of the artist Photo Ben Hagari

Sasamoto’s first major institutional presentation in Europe spanning nearly two decades of artistic exploration, delving into the notion of connectedness and the intricate structures of human relationships—how we understand each other, navigate social life, and negotiate the elasticity of bonds.

Aki Sasamoto Sprits Cubed, 2020 Installation view, “Thank You Memory: From Cidre to Contemporary Art,” Hirosaki Museum of Contemporary Art, Aomori, 2020 Courtesy Hirosaki Museum of Contemporary Art, Aomori, and Take Ninagawa, Tokyo Photo Naoya Hatakeyama

Luciano Fabro from 8th October 2026 (Navate)

Luciano Fabro with Iconografie, 1975, during the installation of the solo exhibition “Letture parallele IV,” PAC Padiglione d’Arte Contemporanea, Milan, 1980 © Archivio Fotografico A. Guidetti e G. Ricci Photo Giovanni Ricci

After more than 45 years since his last exhibition in Milan, the retrospective at Pirelli HangarBicocca, organized in collaboration with the Archivio Luciano e Carla Fabro, delves into his perceptual and spatial investigations tracing the evolution through seminal works and culminating in complex architectural structures and ideal environments—often made in paper—that the artist referred to as “Habitat”.

Luciano Fabro Vetro di Murano e shantung di seta pura (Piedi), 1968-71 Installation view, 36th Venice Biennale, 1972 Courtesy Archivio Luciano e Carla Fabro Photo Luciano Fabro

In 2027:

Carlos Bunga from February 2027 (Shed)

Carlos Bunga Portrait of the artist Courtesy the artist and Bienal de Arte de Pontevedra Photo Beatriz Ciscar

For his first solo exhibition in Italy, Bunga will radically transform the architectural setting of the Shed at Pirelli HangarBicocca, redefining its spatial boundaries and transfiguring its volumes.

Carlos Bunga The Irruption of the Unpredictable, 2024 Installation view, Manifesta 15 Barcelona Metropolitana, 2024 Courtesy the artist and Adrià Goula Photo Adrià Goula

Janet Cardiff & George Bures Miller from March 2027 (Navate)

Janet Cardiff & George Bures Miller Portrait of the artists Courtesy the artists and Luhring Augustine, New York

For their first major retrospective in an Italian institution in over two decades, the Navate of Pirelli HangarBicocca will be inhabited by monumental installations, and sonic works alongside more intimate pieces, including historical works and new pieces specifically conceived for the exhibition space.

Janet Cardiff & George Bures Miller Escape Room, 2021 Installation view, Luhring Augustine Chelsea, New York, 2021 Courtesy the artists and Luhring Augustine, New York Photo David B. Smith

Hicham Berrada from September 2027 (Shed)

Hicham Berrada Portrait of the artist Photo TETARD

For his largest exhibition to date—and for the first time in an Italian institution—Berrada will showcase a selection of his most emblematic and multisensory landscapes that blur the boundaries between art and science, transforming the Shed into a hybrid environment, somewhere between a scientific laboratory, a Wunderkammer, and cinematic set.

Hicham Berrada Matrice minérale, 2019 Installation view, “Voyage d’Hiver,” Jardin du château de Versailles, Francia, 2019 Courtesy the artist, Mennour, Paris, and WENTRUP, Berlin © 2025 Hicham Berrada / SIAE Photo Hicham Berrada

Cecilia Vicuña from October 2027 (Navate)

Cecilia Vicuña Portrait of the artist Courtesy the artist and Lehmann Maupin, New York, Seoul, and London © 2025 Cecilia Vicuña Photo William Jess Laird
Cecilia Vicuña Portrait of the artist Courtesy the artist and Lehmann Maupin, New York, Seoul, and London © 2025 Cecilia Vicuña Photo William Jess Laird

Major retrospective of Vicuña will transform the Navate into a living archive of fragments and precarious gestures, traces of memory and rituals, where natural materials such as wool, shells, feathers, and found wood become carriers of ancestral wisdom.

Cecilia Vicuña Quipu del exterminio / Extermination Quipu, 2022 Installation view, “Cecilia Vicuña: Spin Spin Triangulene,” Solomon R. Guggenheim Museum, New York, 2022 Courtesy the artist and Lehmann Maupin, New York, Seoul, and London © 2025 Cecilia Vicuña / SIAE © Solomon R. Guggenheim Foundation, 2022 Photo David Heald

Founded in 2004, Pirelli HangarBicocca has converted a former industrial plant in Milan into an institution for producing and promoting contemporary art. It has become a reference point for the city of Milan and a leading player in the international contemporary art scene. Its mission to make art open and accessible to all began in 2004 with the commission of one of Anselm Kiefer’s most important site-specific works, ‘The Seven Heavenly Palaces’, and will continue in the coming years through research, experiment, and communication.

MORE: @pirelli_hangarbicocca

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