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Rajkamal Kahlon: Are My Hands Clean?

Rajkamal Kahlon [Untitled] Work in Progress, 2024 Mixed media on archival photo-rag paper 46 7/8 x 33 1/8 ins. 119 x 84 cm Courtesy of Rajkamal Kahlon and P·P·O·W, New York © Rajkamal Kahlon Photo: Ian Edquist

P·P·O·W to present Are My Hands Clean?, Rajkamal Kahlon’s second solo exhibition with the gallery. Kahlon’s artistic work builds on twenty years of extensive research into drawing and painting as sites of political resistance. Kahlon draws on legacies of imperialism, often using the material culture, documents, and aesthetics of Western colonial archives. Her artistic research, at the intersection of visuality, violence and imperial histories, has evolved to reflect on how trauma and the body are at the center of political violence.

Rajkamal Kahlon [Untitled] Work in Progress, 2024 Mixed media on archival photo-rag paper 46 7/8 x 33 1/8 ins. 119 x 84 cm Courtesy of Rajkamal Kahlon and P·P·O·W, New York © Rajkamal Kahlon Photo: Ian Edquist

Through her work, Kahlon addresses the studied and objectified body from within the archive. For Kahlon, painting and drawing are proposed as forms of care work, mediums of rehabilitation, that give voice to anonymous photographic subjects. Beauty, joy, and rebellious humor are yielded simultaneously as disruptive and healing strategies to violence inherent to western hegemony.

Rajkamal Kahlon, Solidarity Forever: Between Havana, Bandung and Belgrade (from “Do You Know Our Names?”), 2024 Mixed media on archival photo-rag paper 33 1/8 x 46 7/8 ins. 84 x 119 cm Courtesy of Rajkamal Kahlon and P·P·O·W, New York © Rajkamal Kahlon Photo: Ian Edquist

In Are My Hands Clean? Kahlon brings together three bodies of work that incorporate pages ripped from controversial early 20th century German anthropological and scientific books. Overlaying enlarged photographs of anonymous women from within these texts, Kahlon hand-colors her surfaces in fields of vibrant hues before adorning her subjects in garments and accessories inspired by histories of fashion, radical feminists, and Third World armed revolutionaries. Through this process of material and historical layering, Kahlon recuperates humanity for these unnamed women and, in doing so, “talks back”— to the original authors, to the discipline of anthropology, to Western knowledge production, and to U.S. imperial violence.

Rajkamal Kahlon Are My Hands Clean? January 10th – February 15th, 2025 P·P·O·W

About the artist

Rajkamal Kahlon (b. 1974, Auburn, CA) is an American artist living and working in Berlin, Germany. Kahlon received her Bachelor of Fine Arts from the University of California, Davis, CA, and a Master of Fine Arts in Painting and Drawing from the California College of the Arts, San Francisco, CA. She is an alumna of Skowhegan and the Whitney ISP and is a professor of painting at the University of Fine Arts in Hamburg, Germany. Kahlon has held solo exhibitions at Kunsthalle Wien, Vienna, Austria; Galeria Wedding, Berlin, Germany; P·P·O·W, New York, NY; Wilhelm Hack Museum, Ludwigshafen, Germany; and Kunstverein Konstanz, Germany; among others. Her work has been featured in group exhibitions at Stadtmuseum Dresden, Germany; Museum of Modern Art, Warsaw, Poland; Taipei Fine Art Museum, Taipei, Taiwan; Artists Space, New York, NY; Museo Universitario Arte Contemporaneo, Mexico City, Mexico; Museum of Contemporary Art, Rijeka, Croatia; among others. She has been awarded the Hans and Lea Grundig Prize, Villa Romana Prize, Joan Mitchell Painting and Sculpture Award, Pollock Krasner Award, and has
completed residencies and fellowships at American Civil Liberties Union (ACLU) National Security Project, New York, NY; Center for Book Arts, New York, NY; and Newhouse Center for Humanities, Wellesley College, Wellesley, MA; among others.

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