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Art Now: Steph Huang

Steph Huang, photo © Steff Jamieson, courtesy of the Artist and Public Gallery

Tate Britain today unveils Art Now: Steph Huang: See, See, Sea, a new exhibition by London-based Taiwanese artist Steph Huang. Exploring the cultural and environmental impact of cycles of production and commerce, Huang uses sculpture, sound, found objects and video to reflect on the conditions that shape what, how and where we eat. Named after the traditional nursery rhyme ‘A Sailor Went to Sea’, the exhibition highlights the traces left by maritime trade in our everyday lives, prompting us to question our relationship with food consumption and the ocean ecosystem. This is the latest in Tate Britain’s ongoing Art Now series of free exhibitions showcasing emerging talent and highlighting the latest developments in contemporary British art.  

For her debut presentation at Tate Britain, Huang is showing a new body of work which draws on her ongoing research into the food industry. Since 2022, the artist has visited seaside towns and fish markets across the UK to understand the threat that global trade poses to local fishing industries and communities, and the resulting impact on the consumer. A new video work See, See, Sea, 2024 showing a small fishing community in Devon diving for scallops, fishing mackerel, weaving lobster and crab pots and trawling, forms the backdrop to a series of fragile hand-blown glass sculptures and found objects echoing the film’s imagery.  

Steph Huang, Taipei Fine Arts Museum, Tapei, Taiwan, 2022 © Steph Huang. Photo © Taipei Fine Arts Museum

Huang has a playful approach to materials, often choosing mediums for their contradictory qualities to address concerns about food production and waste. Referencing the general accumulation of waste from food consumerism, sculptures made using food jars and packaging and a crushed supermarket trolley are scattered across the gallery floor whilst a neon sign suggestive of an upmarket restaurant hangs on the wall. Bronze casts of scallop shells appear throughout the presentation and delicate casts of figs are dotted amongst the steel trolley frame. The shells reference waste products of the food industry which are rarely seen by the consumer, while the figs are a reminder of produce left to rot on London’s pavements after falling unharvested from urban fruit trees.  

In a world where packaged produce from across the globe is readily available on supermarket shelves, Huang’s work investigates the increasing disconnection between people and food. The presentation explores her concern for the impact that the relocation of food markets like Billingsgate and Smithfield will have on Londoners. The artist considers the loss of these unique democratic spaces where commerce and consumer mix, reducing the direct contact people have with their food as well as the rich cultural exchanges that occur under their roofs.  

Since the 1990s, Tate Britain’s Art Now exhibitions have recognised talent at its outset and have provided a launching platform for artists who have gone on to become established figures on the international art scene. Recent exhibitions in the series have showcased the work of artists including Zeinab Saleh, Rhea Dillon, Hannah Quinlan and Rosie Hastings, and Shawanda Corbett.

Art Now: Steph Huang: See, See, Sea, 12th July 2024 – 5th January 2025 Tate Britain tate.org.uk/whats-on/tate-britain/steph-huang

Art Now: Steph Huang is supported by the Art Now Exhibition Supporters Circle and Tate Americas Foundation. Curated by Amy Emmerson Martin, Assistant Curator, Contemporary British Art with Isabel Tovey, Assistant Curator Apprenticeship, Curatorial.

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