El Anatsui next for Tate Modern’s Turbine Hall - FAD Magazine

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El Anatsui next for Tate Modern’s Turbine Hall

El Anatsui next for Tate Modern’s Turbine Hall, Tate Modern & Hyundai Motor have announced that El Anatsui will create the next annual Hyundai Commission.

El Anatsui, photo © Aliona Adrianova, 2019. Courtesy October Gallery, London
El Anatsui, photo © Aliona Adrianova, 2019. Courtesy October Gallery, London

One of the most distinctive artists working today, El Anatsui is best-known for his cascading metallic sculptures constructed of thousands of recycled bottle-tops articulated with copper wire. Repurposing found materials into dazzling works of abstract art, Anatsui’s work explores themes that include the environment, consumption and trade. His site-specific work for the Turbine Hall will be open to the public from 10 October 2023 – 14 April 2024.

Anatsui was born in Anyako, Ghana in 1944 and has spent most of his career in Nigeria. Over a long-lasting and distinguished career as both artist and educator – serving as Professor of Sculpture and Departmental Head at the University of Nigeria, Nsukka – Anatsui has developed a highly experimental approach to sculpture, embracing a wide range of forms and materials including wood, ceramics and found objects. He has experimented with liquor bottle tops since the late 90s and continues to push the medium’s boundaries in novel ways, creating radical, transformative sculptures which assume new shapes with every installation. Interested in the changing histories of the objects he repurposes into shimmering sculptures, Anatsui fuses specific local aesthetic traditions with the global history of abstraction. In 2015, Anatsui was awarded the Golden Lion for Lifetime Achievement at the 56th International Art Exhibition of the Biennale di Venezia and his work is held in major collections around the world.

El Anatsui,Kindred Viewpoints, 2016Aluminium and copper wire, 1680 x 2140 cmImage courtesyMarrakech Biennale 6, NOT NEW NOWPhoto © Jens Martin
El Anatsui, Kindred Viewpoints , 2016 Aluminium and copper wire, 1680 x 2140 cm Image courtesy Marrakech Biennale 6, NOT NEW NOW Photo © Jens Martin

El Anatsui is responsible for some of the most unique and unforgettable sculptures in recent times and we are delighted that he will tackle the Turbine Hall this autumn for the annual Hyundai Commission. Anatsui’s much-loved Ink Splash II 2012 in Tate’s collection enchants visitors wherever it’s shown, and we can’t wait to see how this inventive artist will approach a space like the Turbine Hall.

Frances Morris, Director of Tate Modern,

Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world’s most memorable and acclaimed works of contemporary art, reaching an audience of millions each year. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission gives artists an opportunity to create new work for this unique context. The commissions are made possible by the long-term partnership between Tate and Hyundai Motor, confirmed until 2026 as part of the longest initial commitment from a corporate partner in Tate’s history.

Hyundai Commission: El Anatsui is curated by Osei Bonsu, Curator, International Art, and Dina Akhmadeeva, Assistant Curator, International Art, Tate Modern and will be accompanied by a new book from Tate Publishing.

About the artist

Anatsui has exhibited around the world including recent solo projects at La Conciergerie, Paris (2021): Triumphant Scale at Haus der Kunst, Munich (2019); Mathaf: Arab Museum of Modern Art, Doha (2019); Kunstmuseum Bern (2020). He was recipient of the Charles Wollaston Award at the Royal Academy of Arts, London in 2013. In 2019, a major installation was exhibited at Zeitz Museum of Contemporary Art Africa, (Zeitz MOCCA), Cape Town, and his work was included in the inaugural Ghana Pavilion at the Venice Biennale. Anatsui’s work is held in permanent collections around the world including The Metropolitan Museum of Art, NY; National Museum of African Art, Smithsonian Institution, Washington DC; The British Museum, London; the Centre Pompidou, Paris

About Hyundai Motor’s art projects

Hyundai Motor Company has been supporting art initiatives driven by long-term partnerships with global museums – the National Museum of Modern and Contemporary Art, Korea (MMCA), Tate, and the Los Angeles County Museum of Art (LACMA) since 2013, along with major partnerships for the Korean Pavilion at the 56th, 57th, 58th, and 59th Venice Biennale and the 20th and 21st Biennale of Sydney. The newly established Hyundai Tate Research Centre: Transnational encourages innovative ways of thinking about art and global art histories, and in partnership with global media group Bloomberg, Hyundai Motor Company connects international audiences with artists exploring the convergence of art and technology. artlab.hyundai.com 



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