Pedro Pedro: Table, Fruits, Flowers and Cakes - FAD Magazine

FAD Magazine

FAD Magazine covers contemporary art – News, Exhibitions and Interviews reported on from London

Pedro Pedro: Table, Fruits, Flowers and Cakes

The Hole to present Pedro Pedro: Table, Fruits, Flowers and Cakes an exhibition of paintings and drawings.

Pedro Pedro, Pile of Citrus, 2022, textile paint on linen, 63 x 46 inches. Image courtesy of the artist and The Hole.

For his third solo show with The Hole, LA-based artist Pedro Pedro (b. 1986) includes a variety of his signature imagery, creating indulgent and delicious paintings awaiting consumption. While the paintings are bountiful—charcuterie and cheese, stacks of seafood, soft and sugary cakes, citrus stacked to the ceiling—there is a lingering restraint, with just a slice or two taken from each. Where are the people to feast on the fruit, scarf the seafood, smoke the strewn cigarettes or to paint with the plentiful pots of paint on Pedro’s tables?

Pedro Pedro, Charcuterie on Cutting Board with Knives, 2022, textile paint on linen, 36 x 42 inches. Image courtesy of the artist and The Hole.

With fourteen paintings and nine paintings on paper, we are treated to an abbondanza of works, the most he has shown at one time. The paintings’ muted tonality and soft focus comes from Pedro’s technique of applying textile paint onto unprimed linen. Instead of the paint sitting on top of the white gessoed fabric, these works have the pigment soak into the fibers, dyeing them. The artist paints the image in multiple passes to get these gorgeous colors; from hot pink grapefruit to pea green pickles, deep red lobster or bright lemon yellow.

In Pedro’s universe, wholesomeness coexists with disquiet. This tension is underscored by the artist’s skewed perspective and flat planes, upon which all objects are plopped as if ready to fall off the canvas. Some of the juxtapositions give pause: sharp knives close to plump peaches, a lighter and an oily paint rag, stinky sandals precariously close to a toothbrush. Most important to Pedro’s practice, however, is his intuition, drafted from a collage of images with scenes that come together as he goes along, allowing his inner thoughts to shine through, while also leaving space for our own.

Pedro Pedro, Cakes with Watermelon and Éclair, 2022, acrylic and textile paint on linen, 72 x 63 inches. Image courtesy of the artist and The Hole.

Pedro Pedro, TABLE, FRUITS, FLOWERS AND CAKES, February 14th–April 29th, 2023, Art Opening : Tuesday, February 14th from 6–8pm The Hole, 844 N. La Brea Ave Los Angeles, CA

About the artist

Los Angeles–based artist Pedro Pedro (b. 1986) has exhibited with The Hole since 2018, when he was featured in his first solo exhibition with the gallery, Why Should We Steal A Cow? Several group shows followed, including Post Analog PaintingSecond Smile, and Nature Morte, as well as a second solo exhibition in 2021: Cantaloupe and Kokomo. His work has also appeared in solo exhibitions at o.o Gallery in Los Angeles and English Kills in Brooklyn, New York. Past group exhibitions include Universes 2.0 at The Garage Amsterdam in the Netherlands. Pedro’s work has been reviewed recently in InterviewLampoon Magazine and Hyperallergic.



Related Posts

Adam Parker Smith Rock Hard in a Funky Place, 2019, Resin, steel, urethane, fluorescent, marble, 31 x 19 x 10 inches, 79 x 48 x 25 cm, pedestal dimensions: 33 x 11 x 11 inches, 84 x 28 x 28 cm

View over thirty artists in online exhibition SECOND SMILE.

Second Smile looks at new tendencies in figuration with a surrealist bent. Including loans of classical surrealist works, the exhibition focuses on what parts of the surrealist project are compelling for artists today and in what ways these distinctions of movements are being dissolved.

Trending Articles

Join the FAD newsletter and get the latest news and articles straight to your inbox

* indicates required