Phillips together with renowned entrepreneur and art collector Yusaku Maezawa, have announced the sale of Basquiat’s Untitled, 1982. At over sixteen feet wide and estimated in the region of $70 million, this monumental tour de force is poised to lead the New York auction season when it is offered in the Evening Sale of 20th Century & Contemporary Art on 18th May. In the lead-up to the auction, the work will embark on an international tour to London, Los Angeles, and Taipei, before heading to Phillips’ New York headquarters at 432 Park Avenue.
Yusaku Maezawa said,
“The past six years of having Basquiat’s Untitled was nothing but a great pleasure and it has become a memorable piece in my collection. I believe that art collections are something that should always continue to grow and evolve as the owner does. I also believe that it should be shared so that it can be a part of everyone’s lives. I hope that Untitled will continue its great journey in good hands and that it will bring smiles to many people all around the world. In the near future, I plan on exhibiting my ever-emerging art collection at a museum I am currently planning to create. I look forward to the day I can share it with you.”
Gracing the cover of the artist’s 1996 catalogue raisonné and featured as a centerpiece in several of his major retrospectives, Untitled has since become one of the most iconic examples of Basquiat’s work. His pure brilliance is on full display in this monumental canvas—one of the largest of the artist’s career—which measures almost eight feet tall and over 16 feet wide. This striking horizontal format is likely a nod to Pablo Picasso’s masterwork Guernica, which Basquiat saw at the Museum of Modern Art in New York as a child and later recalled left a strong impression on him. Immediately recognizable by his short, vertical dreadlocks, the artist takes the guise of a demonic figure in Untitled, his violent rage declared by the blood red paint dripping from his horns.Rising against a fiery expanse of gestural color evoking Abstract Expressionism, the subject is a distinct contrast to Basquiat’s depictions of martyrdom and sainthood and embodies his interest in the duality of heaven and hell. This masterpiece is unequivocally one of the finest examples of the distinctive iconography and painterly prowess that triumphantly marked the peak of the artist’s all-too-short career.
“When looking at Basquiat’s career, 1982 is often considered an inflection point in his meteoric rise to international fame. In 1982, at just 21 years old, he had six solo shows across the world, including that with his first gallerist Annina Nosei, which received tremendous acclaim and established him as a household name. Untitled is among Basquiat’s most ambitious and celebrated works, resonating deeply with collectors of across all backgrounds and interests. We are delighted to showcase this magnificent painting with our community of collectors around the globe, as we launch this exciting international tour.”
Cheyenne Westphal, Phillips’ Global Chair
Phillips will also be accepting cryptocurrency for the work, in either Ethereum or Bitcoin.
The May auction comes at a particularly exciting moment for Jean-Michel Basquiat; in early April, a landmark exhibition in celebration of the artist will open in lower Manhattan. Jean-Michel Basquiat: King Pleasure© has been organized by Basquiat’s family and features over 200 never-before-seen and rarely shown paintings, drawings, multimedia presentations, ephemera. Sir David Adjaye will lead the exhibition design. www.phillips.com/basquiat
