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Vik Muniz Metachrome-Cut outs after Henri Matisse 2017

Ben Brown Fine Arts London is pleased to announce its upcoming exhibition, Vik Muniz: A Brief History of Art, an extensive survey of photographic work by the prolific New York- and Brazil-based conceptual artist Vik Muniz, coinciding with his 60th birthday.

Vik Muniz: A Brief History of Art brings together a broad selection of the artist’s most iconic and venerated works from the last two decades. The exhibition will be spread over two venues: Ben Brown Fine Arts’ flagship London gallery and around the corner at the gallery’s new 130 square metre pop-up space in Mayfair, on Grosvenor Street.

Vik Muniz (b. 1961)Metachrome (Double Scramble, after Frank Stella), 2016Archival pigment print101.6 x 201.4 cm; (40 x 79 1/4 in.)Edition of 6 + 4 AP (#4/6)

Inspired by artists across centuries and artistic movements, from Sandro Botticelli and Francisco Goya to Van Gogh and Gerhard Richter, the exhibition features re-imaginings of famous masterpieces from the Early Renaissance through to the 21st century. Muniz uses a wide range of unconventional materials, including dust, sugar, chocolate, diamonds, caviar, toys, junk, scrap metal, dry pigment, vintage postcards and magazine shreds to recreate and reference iconic imagery. These material constructions are photographed, then either magnified or shrunken in scale, with the final work of art becoming a documentation of his conceptual and artistic processes. Reconstructing images that tap into the viewer’s subconscious visual repository, these works ask us to reconsider the familiar imagery in its altered form.

At the same time, by embedding messages and symbols, the works uncover a layering of meaning that looks through pure representation. When the viewer looks, they know they have seen this before, but upon further inspection know it is far removed from the original object. Through examination, more details are revealed, creating a narrative – in doing so, Muniz depicts what a story might look like within an image, capturing the subjectivity of history. The ordinary materials he uses expose a political underbelly, and the final works become an examination of how we define our modern society.

Vik Muniz (b. 1961)The Birth of Venus, after Botticelli (triptych) (Pictures of Junk), 2008Digital C-print3 panels, 233.7 x 389.9 cm; (92 x 153 1/2 in.) totalleft and right panels: 233.7 x 134.6 cm; (92 x 53 in.) eachcentre panel: 233.7 x 120.7 cm; (92 x 47 1/2 in.)Edition of 6 + 4 AP (#2/6)

“The gap between the mental image and the novel image, which is slightly different from the one before, is a whole universe in which to think about images – how you see them and how you think about them. I think the difference of an image that you can consider artistic lies in the fact that inspires you to think about how you see other images. I think different artworks mark in a seminal way the history of how we see things – the history of visuality.

I always try to make things that have a relationship between the parts and the whole. The idea of a mosaic is quite interesting, because you have both image and material trying to fight one another. It is not something fluid like pencil and ink – they are pieces of things. That creates a tension between material and subject.”

Vik Muniz
Vik Muniz (b. 1961)The Apotheosis of War, after Vasily Vereshchagin (Pictures of Pigment), 2007Chromogenic print121.9 x 188 cm; (48 x 74 in.)Edition of 6 + 4 AP (AP 3/4)

VIK MUNIZ: A BRIEF HISTORY OF ART 1st February – 11th March 2022 Ben Brown Fine Arts London, 12 Brook’s Mews, London W1K 4DG and 80 Grosvenor Street, London W1K 3JX

About the artist
Vik Muniz began his artistic career upon arriving in New York in 1983, holding his first solo exhibition in 1988. Muniz has since exhibited at numerous prestigious institutions, including the International Center of Photography, New York; Fundació Joan Miró, Barcelona; Museo d’Arte Contemporanea, Rome; Museu de Arte Moderna, Sao Paulo; Museu de Art Moderna, Rio de Janeiro; Tel Aviv Museum of Art, Tel Aviv; and the Long Museum, Shanghai. His work is included in major public collections such as the R. Guggenheim Foundation, New York; Tate, London; and the Museum of Contemporary Art, Tokyo. In 2001, Muniz represented the Brazilian Pavilion at the 49th Venice Biennale. Muniz is the subject of an Academy Award nominated documentary film entitled ‘Waste Land’ (2010). His public art installation commissioned by the MTA Arts & Design for the 72nd street Second Avenues Subway station opened in 2016. Vik was a creative director of the Rio 2016 Paralympics opening ceremony.



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