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MOSTYN presents first UK institutional exhibition of Jacqueline de Jong, a crucial artistic figure in the post-war years of protest and revolt - FAD Magazine

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MOSTYN presents first UK institutional exhibition of Jacqueline de Jong, a crucial artistic figure in the post-war years of protest and revolt

Jacqueline de Jong in her studio at CitéProst, 1968 FAD magazine
Jacqueline de Jong in her studio at CitéProst, 1968

MOSTYN are to present the first UK institutional solo exhibition of Dutch artist Jacqueline de Jong, one of the crucial artistic figures from the post-war years of protest and revolt.

Born in the Netherlands in 1939, De Jong is a key figure of the European post-war avant-garde with a career spanning half a century. Her role in the Situationist International marked her early years in Paris in the 1960s, where she was actively involved in the student protests of May 1968. In parallel to her work as an editor and designer – most notably for The Situationist Times, which she founded and published from 1962 until 1967 – De Jong has developed a unique painterly practice. In its spontaneity, De Jong’s expressive, often grotesque and excessive style follows the anti-academic and non-conformist aesthetic of the avant-garde.

Jacqueline de Jong Big foot small head (for Thomas), 1985.
Jacqueline de Jong Big foot small head (for Thomas), 1985. Oil on canvas. Courtesy the artist and Pippy Houldsworth Gallery, London.

Playfully moving between styles and painterly idioms throughout her career, the artist displays a voracious interest in the painted image as a site for confusion and subversion. She belongs to a group of artists who reintroduced narration by borrowing elements from popular culture, cinema, and illustration—all the while mixing the absurd with the mysterious. With a penchant for experimentation, De Jong plays with shape, style, and pictorial idioms in order to unfold an idiosyncratic and subversive body of work. Expressive yet realistic, her work exhibits uninhibited eroticism and sexual liberation.

Jacqueline de JongLe Salo et les Salopards (Bastards and Scumbags),1966. Acrylic on canvas, plastic mirror and wooden frame.Collection les Abattoirs, Musée-Frac Occitanie Toulouse © Courtesy the artist and Château Shatto, Los Angeles (USA).Photograph by Renato Elon Schoenholz.

The exhibition at MOSTYN is the first public presentation of De  Jong’s prolific and provocative oeuvre in the UK via a non-linear presentation where works from different periods dialogue with one another, following the Situationist concept of the dérive (drift).

Jacqueline de JongThe Ultimate Kiss, 2001-12.Oil on canvas.Courtesy the artist and Château Shatto, Los Angeles.

Jacqueline de Jong The Ultimate Kiss 9th October – 6th February 2022. MOSTYN, 12 Vaughan Street, Llandudno, Conwy, LL30 1AB www.mostyn.org

The exhibition has been curated by Juliette Desorgues (Curator of Visual Arts, MOSTYN) in collaboration with Devrim Bayar (Curator, WIELS) and Xander Karskens (Director, De Ateliers). The exhibition will travel to Kunstmuseum Ravensburg in 2022, from 12 March until 19 June.

At the occasion of the exhibition, a new and important monograph has been published in collaboration with the Mercatorfonds. The publication is designed by Eurogroupe and includes essays by Devrim Bayar, Juliette Desorgues, Xander Karskens, Annabelle Ténèze and Niña Weijers, as well as a conversation between Jacqueline de Jong and Alison Gingeras.

2021, Softcover, 224 pages, 31 x 24 cm Co-published by Mercatorfonds, WIELS, Les Abattoirs and MOSTYN In English ISBN 9789462303201 Price: € 39,95 Available at the WIELS Bookshop and at WIELS.org/en/bookshop.

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