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FAD Magazine covers contemporary art – News, Exhibitions and Interviews reported on from London

The Top 7 Art Exhibitions to see in London this week

Art critic Tabish Khan brings you the top art exhibitions to visit this week. Each one comes with a concise review to help you decide whether it’s for you. All are closing soon, and there are so many it’s been expanded to seven:

The Death of Sardanapalus, 1844

Delacroix and the Rise of Modern Art @ The National Gallery
Romantic visions of hunts and shipwrecks is Delacroix at his best. Plus we get to see works by the many Master he influenced including Manet, Matisse, Cezanne and Van Gogh. Some truly spectacular works to see here. Until 22 May.

thomson-and-craighead

Thomson & Craighead: Party Booby Trap @ Carroll / Fletcher
This duo’s trademark sense of humour is back with a fragrance based on the biblical description of the apocalypse and balloons with the names of wartime operations on them. They are our answer to Elmgreen & Dragset. Until 25 May. 

graphic_novel_tube_map

The Great British Graphic Novel @ Cartoon Museum
A Manga version of The Tempest right the way back to Hogarth’s drawings. This excellent exhibition charts the history of graphic novels in Britain. It’s a densely packed show full of great illustrations. Until 24 May. 

Bacon Herrick

Francis Bacon / Darren Coffield @ Herrick Gallery
Some rare Francis Bacon brightly coloured paintings and drawings make an appearance in this Mayfair show. They are accompanied by the works of Darren Coffield, but it’s all about the Bacons. Until 21 May. 

peer

Angela de la Cruz @ Peer
This gallery re-opens with what seems to be a giant canvas crammed into the gallery space. Plus we have a new installation under the clock by Chris Ofili. Until 21 May. 

macofico

Guido Macofico: Blaschka @ Hamiltons
A photography series of marine creatures beautifully crafted out of glass. Surreal and shockingly lifelike. Until 24 May. 

tom french

Tom French: Transcend @ Lawrence Alkin
An excellent expressive painting technique. Coupled with a monochrome palette gives these works an emotional weight that wouldn’t have been possible with colour. Until 21 May. 

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(detail from) Chris Ofili, The Caged Bird's Song, 2014–2017. Wool, cotton and viscose. Triptych, left and right panels each 280 x 184 cm (110 1?4 x 72 1?2 in); centre panel 280 x 372 cm (110 1?4 x 146 1?2 in). © Chris Ofili. Courtesy the Artist and Victoria Miro, The Clothworkers' Company and Dovecot Tapestry Studio, Edinburgh.

Chris Ofili, The Caged Bird’s Song

To start with a bold statement: I do not like ‘the make of’ type exhibitions. Not moving nor sublime, wall texts and reportage never provide the romantic materialist in me with the space to get all wayward and dreamy; what I seek in exhibitions is never an ‘“interesting” …[full-stop]’.

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