Lygia Pape, Scottish photography and the Northern Art prize – the week in art - FAD Magazine

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Lygia Pape, Scottish photography and the Northern Art prize – the week in art


Lygia Pape Untitled 1954–56 Tempera / oil on wood 40 3 40 3 3.2 cm Courtesy of Projeto Lygia Pape© Projeto Lygia Pape

Powered by Guardian.co.ukThis article titled “Lygia Pape, Scottish photography and the Northern Art prize – the week in art” was written by Jonathan Jones, for theguardian.com on Friday 2nd December 2011 09.00 UTC

Jonathan Jones’s top shows to see this week

Lygia Pape: Magnetised Space
This Brazilian artist who shoved abstract forms up against the grit of real life practised art, in her own words, as “a way of getting to know the world”.
• At Serpentine Gallery, London W2, from 7 December until 19 February 2012

Anselm Kiefer
The weight of memory, the grotesqueries of imagination and the power of symbols have no greater champion in the art of today than Kiefer. His sense of scale and texture make his art often inexplicably moving.
• At White Cube, Bermondsey, London SE1, from 9 December until 26 February 2012

I Decided Not to Save the World
Political and social comment in conceptual forms by artists including Mircea Cantor and Yto Barrada who probably would like to save the world, if they could.
• At Tate Modern, London SE1, until 8 January 2012

Northern Art prize
James Hugonin, Leo Fitzmaurice, Liadin Cooke, and Richard Rigg are the shortlisted artists, who all live and work in the north of England.
• At Leeds Art Gallery until 19 February 2012

Romantic Camera
New displays at Scotland’s reopened portrait gallery include a survey of early photography, whose practitioners in Victorian Scotland created haunting images of old Edinburgh.
• At Scottish National Portrait Gallery, Edinburgh, until 3 June 2012

Up close: artworks in detail

Baby love … detail from Correggio’s Venus with Mercury and Cupid (c1525). Photograph: National Gallery

Correggio – Venus with Mercury and Cupid, c1525
The supple sensuality of this painting encompasses not just the gods’ golden, melting flesh but the rustic mistiness of soft foliage. Correggio is one of the boldest artists of myth, as well as a great religious painter, and this scene of divine family life speaks like a pastoral poem.
• At National Gallery, London

Rembrandt – A Woman in Bed, c1645-6
This almost shockingly intimate painting shows a young woman pushing back a red and gold curtain as she leans upon a lace pillow. The luxurious fabrics and the gold ornaments in her hair suggest a mythic setting. She might be waiting anxiously for a god or a king – or this may be a portrait and her lover could be Rembrandt.
• At Scottish National Gallery, Edinburgh

JE Millais – Portrait of Benjamin Disraeli, 1881
When Vincent van Gogh worked for an art dealer in London, he wrote to his brother Theo lamenting the poor standard of British 19th-century art. One exception to his disapproval was Millais. This powerful portrait shows why Van Gogh was right to rate the eminent Victorian. It is a moving homage to a politician who did so much to shape modern Britain and is arguably the architect of our democracy through the 1867 Reform Act.
• At National Portrait Gallery, London

Ary Scheffer – Francesca da Rimini, 1835
This morbid and darkly memorable romantic painting illustrates Dante’s 14th-century poem Inferno. In the second circle of Hell, Dante meets Francesca da Rimini, sentenced to eternal damnation for a sin all too easy to understand: forced into an arranged marriage, she had an affair. Scheffer makes her an icon of doomed love.
• At the Wallace Collection, London

Francis Picabia – The Fig-Leaf, 1922
In Paris after the first world war there was a “call to order”, a revived traditionalism in art, as critics and artists called time on modernism. Picabia’s harlequin-like silhouette pokes fun at this moment of neoclassicism, going along with the new refinement yet intimating some terrible wickedness and diabolical threat below the fig leaf.
• At Tate Modern, London

What we learned this week

Leonardo was the original animal rights activist

Picasso’s most extraordinary etchings have been gifted to the British Museum

Ken Russell’s photography was an antidote to his surreal film-making

A public appeal has been launched to keep Yinka Shonibare’s ship in a bottle at Greenwich

The age of free access to art in museums hits 10

Image of the week

North country boys … Oscar Marzaroli’s The Castlemilk Lads (1963), now on display at the newly reopened Scottish National Portrait Gallery. Photograph: SNPG

Your Art Weekly

Have you seen any of these shows? What have you enjoyed this week? Give your review in the comments below or tweet us your verdict using #artweekly and we’ll publish the best ones.

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