Daniel Buren Géométries colorées
Xavier Hufkens are opening Daniel Buren’s new exhibition Géométries colorées this week. This will be the first exhibition that Buren has conceived for the Rivoli space.
Art Stuff Brussels
Xavier Hufkens now represent Joe Bradley
Xavier Hufkens is pleased to announce the representation of American artist Joe Bradley. The artist will continue to be represented by Galerie Eva Presenhuber in Zurich and is also newly represented by Petzel Gallery in New York.
HYPER-CONSCIOUS by Stefan BRÜGGEMANN & On KAWARA
This exhibition at MARUANI MERCIER brings Stefan BRÜGGEMANN’s Hyper-Palimpsest and On KAWARA’s Today series together for the first time. The works share a central concern in their engagement with the experience of time and being in the world.
Omar Ba, rising star of the African scene presents an exclusive group of paintings more critical than ever.
For his new exhibition in Brussels, Omar Ba, rising star of the African scene, presents an exclusive group of paintings more critical than ever. An original and striking portrait of the continent, the show explores the fragility of democracy and individual freedoms.
Genesis Tramaine: Evidence of Grace
Almine Rech is exhibiting Evidence of Grace by American visual artist Genesis Tramaine. This exhibition is the artist’s first solo presentation in Brussels and the second with the gallery.
Genesis Tramaine
Almine Rech is to present Genesis Tramaine’s second solo exhibition with the gallery and her first presentation in Brussels.
Tracey Emin: Detail of Love
In her new exhibition, Detail of Love Tracey Emin explores love, loss and longing through two distinct bodies of work: a group of large-scale paintings and a series of poignant gouaches created in her London home.
Belgian Painting in Brussels
The 133-gallery Brussels Antiques & Fine Arts Fair (26 Jan – 2 Feb) is wide-ranging: more ancient, classical and modern than contemporary, but covering many areas and eras of art, design and collectibles
Sheida Soleimani – Medium of Exchange
In this oftentimes humorous and all too relevant project, Soleimani examines power, exploitation, and oil in works that feature queer models wearing masks of Western leaders and ministers of the Organization of the Petroleum Exporting Countries (OPEC)