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Oh, Marilyn! a group exhibition dedicated to the 60s wave of female emancipation in the UK and US. - FAD Magazine

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Oh, Marilyn! a group exhibition dedicated to the 60s wave of female emancipation in the UK and US.

Penny Slinger Wedding Cake – Consider the Lilies…, 1973 Vintage black and white photograph 51.4 x 41.3 x 2.5 cm 20 1/4 x 16 1/4 x 1 in

Oh, Marilyn! is a group exhibition at Gazeli Art House dedicated to the 60s wave of female emancipation in the UK and US. Works by four iconic artists – Pauline Boty, Judy Chicago, Penny Slinger and gallery artist Jann Haworth depict a time of change and rebirth of perception and acceptance of a new and different female role within
society.

Pauline Boty A Big Hand, 1961 Gilt paint and collage on paper Framed : 78 x 66 cm, 30 3/4 x 26 in

Showing for the second time at the gallery, Pauline Boty (1938-1966) was a founder of the British pop art
and Britain’s most notable pop art painter. Her paintings and collage work often made references to female
sexuality as well as current affairs, criticizing the nature of the “man’s world.” On display in the exhibition is
Angel (60s) and A Big Hand (ca. 1961), a collage work depicting a female hand holding sculptural figures from
Rome’s Trevi Fountain above a Victorian park scene.

Jann Haworth Portrait Alex Johnstone

Gallery artist Jann Haworth (b. 1942) moved to London from Los Angeles in 1961 to study at the Slade School
of Fine Art, becoming a pioneer of soft sculptures that led her to challenge the notion of female form serving
as a muse or object of desire. Exhibited works include the Pom Pom Girl (1964-65), China Cabinet (1963-1964),
Dog (1962), Linder Doll (1965), Still Life Marble Fabric ( 1962) and Rhinestones (1963-64), underpinning Haworth’s
critical contribution towards the development of women artists’ voices in the West

Penny Slinger. © Dhiren Dasu

Penny Slinger (b. 1947) explores feminism and eroticism through work including photography, film and
sculpture. On display are a series of vintage black and white photographs from the artist’s subversive Bride Book
(1973) and works from her 1973 series Mouthpieces, which are collage and sculptural works consisting of wax
casts of the artist’s mouth combined with various objects. An empowerment for women to find their voice and
challenge the status quo of that time.

Judy-Chicago.©Donald Woodman Artists Rights Society NY

Multidisciplinary artist Judy Chicago was a trailblazing pioneer of the feminist movement in the 1960s and ’70s;
for decades, she has made work that celebrates the multiplicity of female identity. The exhibition features And
She Vomited up the Sun and the Moon and then the night had its Own Light (1981) and her pyrotechnic Atmospheres
series, a work which began in 1968 when the Chicago lined a Pasadena Street with billowing fog machines, an
action that was meant to radically feminize an urban space, cloud its use value, and soften its hard man-made
edges. The series evolved over the next decade as a protest against the male-dominated art scene of the 1970s,
where the land artists were almost entirely men.

Jann Haworth Pom Pom Girl, 1964-1965 Fabric, wood and stuffing 177.8 x 177.8 cm 70 x 70 in

The exhibition title draws on the 60th death anniversary of Marilyn Monroe, whose death represented a
departure point for female empowerment. A portion of proceeds will be donated to Women’s Aid.

Oh Marilyn! Pauline Boty, Jann Haworth, Penny Slinger and Judy Chicago 21st January – 12th March, 2022 at
Gazelli Art House

Judy Chicago Pink Atmosphere, Cal State Fullerton, Fullerton, CA, 1971/2018 Signed on verso (JuC 479.2) Archival pigment print 79.1 x 104.5 x 4.3 cm 31 7/50 x 41 7/50 x 1 69/100 in Edition 2 of 3 + 2 APs

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