Thomas Schütte Innocenti 1994 b/w photo ed of 3 75 x 50cm Photograph: Thomas Schütte © DACS 2012
Thomas Schütte United Enemy 1995 Fimo, fabric, wood, glass, PVC Figure approx 34cm Photograph: Mathias Johansson © DACS 2012
Thomas Schütte Wicht 2006 Bronze, steel Approx 67 x 35 x 32cm Photograph: Nic Tenwiggenhorn © DACS 2012
Thomas Schütte United Enemy 1994 Fimo, fabric, wood, glass, PVC Photograph: Mathias Johansson
© DACS 2012
Thomas Schütte Bert Fimo, fabric Photo: Gino Bühler © DACS 2012
Thomas Schütte Luise 1996 Ink and crayon on paper 38 x 28cm Photo: Wilfried Petzi © DACS 2012
Thomas Schütte Mirror Drawings 1998 Watercolor, ink, pencil on paper 38 x 28cm © DACS 2012
25th September – 18th November 2012
The Serpentine Gallery is to present Thomas Schütte: Faces and Figures, an exhibition of one of the world’s most influential living artists. Focusing on Schütte’s highly-charged and poetic responses to the human form, it is the first time an exhibition will be dedicated entirely to these pioneering works.
The artist has returned repeatedly to the genre of portraiture and through these works we see Schütte reassessing the figurative traditions of art, presenting emotive and often uncomfortable observations of the human condition. The exhibition brings together his key sculptural, painted and photographic portraits, embracing both existing work and new work made especially for the Serpentine Gallery.
Over several decades, Schütte has created watercolours and drawings of acquaintances and friends, as well as many self-portraits, including the Mirror Drawing works. His drawings are often created in series, approaching the same subject numerous times as a means of engaging with the inner nature of the individual. Schütte’s drawings feed closely into his sculptural portraits, which are created in a similar spirit.
A work central to the Serpentine exhibition is Vater Staat (Father State) 2011, a towering steel sculpture of an authoritative figure who, paradoxically, appears frail and isolated. This formidable work relates to Schütte’s interest in shifts of scale; although epic, the work remains an investigation into fragility. Vater Staat resonates with the works placed outdoors in Kensington Gardens, the larger United Enemies sculptures; formidable yet anonymous figures, these are sited in the most public of spaces.
Schütte’s recent solo exhibitions include presentations at the Nouveau Musée National de Monaco (2012), Castello di Rivoli, Turin (2012), Museo Nacional Centro de Arte Reina Sofía, Madrid (2010) and Haus der Kunst, Munich (2009). Schütte has received numerous awards and prizes, including the Düsseldorf Prize in 2010 and the Golden Lion at the Venice Biennale in 2005.