#PostFrieze FAD’s Top 5 art gallery shows to see after Frieze Week

In no particular order the gallery exhibitions we think you should try and visit after Frieze week not necessarily the ‘best’ but all very interesting in their own way and a wonderful way to slide back into the normal buzz of contemporary art in London.




1 Jean Dubuffet at PACE London
Théâtres de mémoir – Oct 21, 2017
Jean Dubuffet: Théâtres de memoir is the first exhibition of Dubuffet’s Théâtres de mémoire series in over three decades and the first-ever exhibition dedicated to the series in London. Curated by Arne Glimcher, the founder of Pace Gallery, and Tamara Corm, Senior Director at Pace London, this exhibition features fifteen monumental paintings on loan from Fondation Dubuffet, Tate, Fondation Beyeler and private collections. Most of the works have never been seen in the UK before.
More Info: Before Jean-Michel Basquiat there was Jean Dubuffet

Jean Dubuffet Site avec auto, November 12, 1979 acrylic on canvas-backed paper (7 sections) © ADAGP, Paris and DACS, London 2017 FAD Magazine
Jean Dubuffet Site avec auto, November 12, 1979 acrylic on canvas-backed paper (7 sections) © ADAGP, Paris and DACS, London 2017

2 Nick Goss: Josh Lilley
De Ramp – 6 November 2017
More Info: Nick Goss at Josh Lilley gallery
How the painter is using the once-unfashionable narrative genre to explore the theme of natural disaster Financial Times

Nick Goss - De Ramp Install shot FAD magazine
Nick Goss – De Ramp Install shot

3 Cosey Fanni Tutti: Cabinet
COSEY FANNI TUTTI – 4 November 2017
Finally, can we speak about a dialectic of sex?
More Info:www.coseyfannitutti.com

#CoseyFanniTutti at #Cabinet

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4 Marcin Dudek: Edel Assanti
Steps and Marches 4 November 2017
A crowd is not a mob, but it can become one! Each crowd…even the most casual, has latent potential for widespread civil disobedience. Raymond Momboisse, 1967
More Info: Marcin Dudek Preview

5 David James: Gallery 46
Civilisation 25 October
The sublime materiality of the James’s paintings both seduces and repulses on equal terms, a tension that highlights the possibilities of legibility and appropriation in image making.
More Info: A NEW VIEW ON ART HISTORY – DAVID JAMES AT GALLERY46

Icon, 2014-16 © David James, by courtesy of the artist

About Mark Westall

Mark Westall is the founder and editor of FAD magazine, a curation of the world’s most interesting culture, and Creative Director of FAD Agency, a digital creative agency: www.fad.agency