XChange by Nick Gentry at Robert Fontaine Gallery


13th April 2013 through 4th May 2013 Robert Fontaine gallery 2349 NW 2nd Ave Miami, Florida 33127

FAD favourite Nick Gentry is doing it in Miami

“When you walk into a gallery, there’s a very sterile gap between you and the artwork. I want to close that gap—that’s my main mission as an artist,” says Nick Gentry. This weekend at Robert Fontaine Gallery in Miami’s Wynwood District, Gentry hopes that a series of works comprised of fan-sourced floppy disks and film negatives will do just that. A painter by training, Gentry decided to start making his own canvases with disks borrowed from friends. “The magic happened when people started to send things to me,” says Gentry. “I love it when there’s a connection between people who have never met before.”

COLLECTIVE MEMORY / Nick Gentry from Nick Gentry on Vimeo.

Gentry’s colour palette is largely determined by the material. Floppy disks colors—like the mobile app icons of today—were determined by a certain extent by fashion, which at the time meant plenty of blue, black and beige. In making the work Gentry is largely beholden to what he has in stock, which is in turn determined by what people send him. This collaboration, Gentry explains, is half the fun.

For the new negative series Gentry selected his images largely based on tone. By layering several negatives he is able to outline and shadow the features of his portrait subjects. X-rays were also used, creating a conversation between biological and interpersonal histories while also solving the problem of how to form the hair. Housing the negatives are English baking crates that date back to the 1930s, which have been lined with LED strips to create a light box. Via Coolhunting.com

Read FAD’s Interview with Nick Gentry HERE

nickgentry.com

About Mark Westall

Mark Westall is the founder and editor of FAD magazine, a curation of the world’s most interesting culture, and Creative Director of FAD Agency, a strategy & creative agency working with brands to solve business problems using cultural tools. In 2008 following his passion for art he founded what has grown to become FAD magazine. FAD magazine is internationally recognized as a key figure within the emerging and contemporary art world, and has been selected as official partner by organizations as diverse as Moniker Art Fair, START, Volta and Christie’s. In addition Mark is a columnist for City Magazine.

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