What are the defining aesthetics of art in the networked era? How is mass collaboration changing notions of ownership in art? How does micropatronage change the way artists produce and distribute artwork? The Future of Art begins a conversation on these topics and invites your participation.
This video was shot, edited and screened at the Transmediale festival 2011 in Berlin, Germany.
The current art establishment is a mirror image of the Victorian art establishment, replacing tradition with novelty, pomposity with pretentiousness, sentiment with vacuity, and craft with junk.
And I wonder where one finds the enthusiasm for such relentless repetition of what is ostensibly based on the ‘new’, but is disappointingly the same.
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